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To create a glamorous effect, while at the same time drawing attention to Garland's full lips and large brown eyes, Ponedel applied a bright red lip color and false lashes, both of which became staples of Garland's ature look Maltese guys that point onward. During filming, Minnelli used special lighting to display the of Ponedel's handiwork effectively.

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Salnt would continue to work with Ponedel for the rest of her years at MGM. Garland was very pleased with the and even more impressed when she attended a screening of the film and saw herself onscreen, and later stated that working on this film was the first time she had ever felt beautiful.

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St. Garland had worn the nose discs and dental caps in all of her films; the caps were worn to disguise her crooked teeth, the nose discs to turn up her nose and create a more pronounced profile. Louis Saiht Chorus, Webster Groves, Missouri. She would continue to work with Ponedel for the rest of her years at MGM.

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During filming, Minnelli used special lighting to display the of Ponedel's handiwork effectively. By this point in her career, she had not only been married briefly, she was also a lover of Hollywood nightlife and had briefly dated many of the famous Hollywood playboys of the time, including Artie Shaw, Tyrone Power and Joe Mankiewicz. Garland's eyebrows were modified to a more defined arch, her cheeks highlighted with Woman want nsa Church subtle blush, her nose discs and dental caps removed.

By this point in her career, she had not only been married briefly, she was also a lover of Sainf nightlife and had briefly dated many of the famous Hollywood playboys of the time, including Artie Shaw, Tyrone Power and Joe Mankiewicz. Garland was very pleased with the and even more impressed when she attended a screening of the film and saw herself onscreen, and later stated that working on this film was the first time she had ever felt beautiful.

With encouragement from director Vincente Minnelli, who did see Garland as she had wanted to be seen for years beautiful and womanlymake-up artist Dorothy Ponedel worked on Garland and brought out her natural beauty. With encouragement from director Vincente Minnelli, who did see Garland as she had wanted to be seen for years beautiful and womanlymake-up artist Dorothy Sanit worked on Garland and brought out her natural beauty.

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To create a glamorous effect, while at the same time drawing attention to Garland's full lips and large brown eyes, Ponedel applied a bright red lip color and false lashes, both of which became staples of Garland's ature look from that point onward. In real life, she was a far cry from the girl-next-door types she had played onscreen and wanted to be given the glamor treatment received by the other actresses at MGM. Garland's eyebrows were modified to a more defined arch, her cheeks highlighted gglass a subtle blush, her nose discs and dental caps removed.

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